{"id":1794,"date":"2023-12-22T11:21:14","date_gmt":"2023-12-22T10:21:14","guid":{"rendered":"https:\/\/nicolas-lebrun.fr\/?post_type=project&p=1794"},"modified":"2025-03-21T08:50:18","modified_gmt":"2025-03-21T07:50:18","slug":"ecluse","status":"publish","type":"project","link":"https:\/\/nicolas-lebrun.fr\/fr\/project\/ecluse\/","title":{"rendered":"Ecluse"},"content":{"rendered":"

Ecluse<\/em> est une \u0153uvre d’art g\u00e9n\u00e9rative command\u00e9e !<\/p>\n\n\n\n

Il s’agit d’une s\u00e9rie limit\u00e9e \u00e0 seulement 6 \u00e9ditions : chaque jeton d\u00e9clenche un protocole par lequel l’artiste peint et signe \u00e0 la main une \u00e9dition physique pour le collectionneur.<\/p>\n\n\n\n

Ecluse<\/em> marque l’aboutissement d’une r\u00e9flexion entam\u00e9e avec Aqueduc<\/em><\/a>.<\/p>\n\n\n\n

Ce projet est n\u00e9 du d\u00e9sir de confronter la main de l’homme \u00e0 l’algorithme et \u00e0 la machine. Le but premier de ce programme \u00e9tait de construire un protocole que je devais interpr\u00e9ter \u00e0 la fois avec le traceur et les pinceaux. Il ne s’agit pas d’opposer, mais plut\u00f4t de combiner la pr\u00e9cision du duo algorithme\/machine avec la sensibilit\u00e9 du travail manuel. Ces formes peuvent \u00eatre consid\u00e9r\u00e9es comme une sorte de partition \u00e0 interpr\u00e9ter, rejouant en quelque sorte la relation similaire\/singuli\u00e8re observ\u00e9e dans l’art g\u00e9n\u00e9ratif. Chaque \u00e9dition suit les m\u00eames r\u00e8gles, mais chaque it\u00e9ration a une propri\u00e9t\u00e9 et une apparence diff\u00e9rentes. Dans le travail d’\u00c9cluse, le processus implique un travail manuel qui fera ressortir encore plus d’unicit\u00e9, ou de singularit\u00e9.<\/p>\n\n\n\n

\n
\"Ecluse<\/a><\/figure>\n\n\n\n
\"Ecluse<\/a><\/figure>\n\n\n\n
\"Ecluse<\/a><\/figure>\n<\/figure>\n\n\n\n

Ce projet est n\u00e9 d’une fascination pour l’imagerie scientifique, qui peut \u00eatre consid\u00e9r\u00e9e comme un graphique, avec des pics et des creux. Un spectateur pourrait penser que le programme utilise une source de donn\u00e9es pour construire ces formes, mais ce n’est pas le cas. Il utilise des donn\u00e9es qu’il g\u00e9n\u00e8re lui-m\u00eame. D’une certaine mani\u00e8re, les formes qu’il construit ne sont pas utilis\u00e9es pour analyser et comprendre quelque chose d’ext\u00e9rieur, mais pour comprendre comment le programme lui-m\u00eame fonctionne. L’algorithme joue un r\u00f4le central d’autor\u00e9flexion.<\/p>\n\n\n\n

\n
\"Ecluse<\/a><\/figure>\n\n\n\n
\"Ecluse<\/a><\/figure>\n\n\n\n
\"Ecluse<\/a><\/figure>\n<\/figure>\n\n\n\n

Le plus grand d\u00e9fi que j’ai eu \u00e0 relever avec ce projet \u00e9tait de r\u00e9concilier l’\u00e9cran et le papier, sans privil\u00e9gier l’un ou l’autre. J’ai d\u00e9velopp\u00e9 le programme en essayant diff\u00e9rentes techniques de dessin (avec mon traceur ainsi qu’avec mes aquarelles physiques). Il n’y a pas eu deux phases distinctes o\u00f9 j’ai choisi de privil\u00e9gier une version et de la reproduire sur l’autre, tout s’est fait syst\u00e9matiquement c\u00f4te \u00e0 c\u00f4te. Au fur et \u00e0 mesure que le programme \u00e9voluait, il \u00e9tait test\u00e9 dans le monde physique. J’ai pratiqu\u00e9 ces deux m\u00e9diums (code et peinture) en m\u00eame temps, en m’assurant que je restais dans les limites de la faisabilit\u00e9.<\/p>\n\n\n\n

 <\/p>\n\n\n\n

Voir le g\u00e9n\u00e9rateur sur Foundation<\/a><\/p>\n\n\n\n

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